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World as Word: Philosophical Theology in Gerard Manley Hopkins, by Bernadette Waterman Ward
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The arresting poetry of Gerard Manley Hopkins arises from philosophical engagement with the Trinity, the Incarnation, and other mysteries of Christian revelation. No previous study has explored his poetry in the light of his philosophical theology. Hopkins's thoughts on justice and language challenge today's inhuman literary theories.
With explications of more than twenty-nine of Hopkins's intricate poems and difficult prose, this study traces Hopkins's engagement with his age. New, philosophically rigorous definitions of Hopkins's key poetic terms―"inscape" and "instress"―detail exactly how he discovered the possibility of multiple true concepts of things, each grounded in reality but demanding the participation of the moral will. Doubt of the possibility of historical truth drove many Victorians to scientism or vague religious sentimentalism. Hopkins asserted that humans physically can and morally must learn truth. Haunted by a sense that experience is incommunicably singular, and aware that culture and consciousness shape history, he found support in the personalist religious epistemology of John Henry Newman. On it Hopkins formed his poetics, later enriched by John Duns Scotus's communitarian theory of justice in language. Scotus deeply influenced Hopkins's idea of poetry, coloring not only his arguments and images but the metrical and verbal music of his style.
Lovers of Hopkins's poetry will find a deeper understanding of his music; philosophers will find an epistemology and aesthetics worthy of respect. Students of literature will find a challenging theory of the relationship between linguistic structures and the world of experience. In today's intellectual environment, which treats the notion of truth as a cynical tool of politics, and deception as inherent in language, Hopkins's luminous vision of sacrificial love and community at the heart of poetry offers a refreshing antidote to the dry suspicions of academic literary theory.
Bernadette Waterman Ward is associate professor of English at the University of Dallas.
"[An] extraordinarily fine, and indeed often deeply inspiring book. . . . Ward provides dextrous and detailed readings of a number of Hopkins poems, and her discussions wonderfully integrate clarification of idea with analysis of how stylistic features (like alliteration and spring rhythm) contribute to the power of the lyrics' communications. She understands, better than many others, Hopkins' true dedication to his poetry-writing, besides recognizing his intellectual openness to such positions as 'theistic evolutionism', and his sternly chaste (but psychologically honest) dealing with admitted personal homoerotic feelings. . . . One of the most valuable Hopkins studies ever to appear."―Jeffrey B. Loomis, The Year's Work in Hopkins Studies, Victorian Poetry
"Ward's excellent study, as it reveals the confluence of intellectual and spiritual aspirations, whether viewed in their poetic or their philosophical manifestation, makes for stimulating reading. In this book, philosophers learn about poetry and poets learn about philosophy. . . . This book is a useful tool for advanced undergraduates, graduate students, and specialists in literature, philosophy, or theology, as well as anyone interested in the Jesuit intellectual/spiritual tradition as it appears in the poetry of Gerard Manley Hopkins." Mary Beth Ingham, American Catholic Philosophical Quarterly
"[A] valuable contribution to research on Hopkins. Her scholarship is wide and solid. Although the focuses are not new, their fresh assembly is lucid and their application to Hopkins firmly demonstrated. The exposition of Scotus's influence is especially rich and suggestive in understanding the interactive dynamic of 'selving' in Hopkins' writings." David Anthony Downes, Christianity and Literature
"Of the many attempts to define t
- Sales Rank: #2560772 in Books
- Brand: Brand: Catholic Univ of Amer Pr
- Published on: 2001-12-18
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .81" w x 5.51" l, 1.21 pounds
- Binding: Hardcover
- 304 pages
- Used Book in Good Condition
About the Author
Bernadette Waterman Ward is associate professor of English at the University of Dallas.
Most helpful customer reviews
25 of 26 people found the following review helpful.
Extremely Helpful
By Matthew E Van House
I found this to be one of the most helpful works on Hopkins that I have read. On all occasions Ward shows a respect and attention to the poet that is quite refreshing. Her unique insistence on understanding the serious importance of his intellectual formation (which included close study of Ruskin, Newman, Scotus, and Catholic sacramental theology), makes a powerful case for reconsidering the assumptions of both excesively pious critics who see in Hopkins a mystic who intuited great spiritual truths without employing his immense intellectual gifts to sort out the theological facts, and of postmodern writers who correlatively assume that Hopkins actually had a weak and degenerate mind, and that his obvious poetic gifts had nothing to do with the quality or consistency of the superstitions that he communicated using those gifts.
Ward makes her case in each chapter by communicating concisely and interestingly the key thoughts of those intellectual figures and movements that strongly influenced Hopkins, and then by very persuasively revealing the real influence of those thinkers by using their thoughts in the exposition of many of his major poems. My academic training is in philosophy, and I was especially impressed with how well the focus of the book on communicating philosophical theology in order to understand Hopkins does not prevent a serious presentation of the ideas of the thinkers in question--the treatment of Scotus, for example, reveals that Dr. Ward has read much more broadly in the writings of the difficult 13th century friar than is normal for a literary critic trying to understand what Hopkins means by the terms "instress" and "inscape," and what he means when he refers them to Scotus's philosophy.
Many have noticed the influence that poets like Shakespeare and Milton have exerted on Hopkins's imagery and sound, but this book fills a gaping hole in Hopkins scholarship by seriously exploring the tremendous influence that Hopkins's favorite philosophers, theologians, and critics had on the thought that undergirds that use of imagery and sound. Highly recommended.
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