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Max Fleischer (1883–1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. Also interested in technical innovation, Fleischer invented the rotoscope―a device that helped track live action and allowed his cartoons to revolutionize the way animated characters appeared and moved on-screen. In the 1920s, Fleischer created a series of "Out of the Inkwell" films, which led to a deal with Paramount. Their character KoKo the Clown introduced new animation effects by growing out of Fleischer's pen on-screen. As the sound revolution hit film, the studio produced shorts featuring the characters interacting with songs and with the now-famous bouncing ball that dances across lyrics projected on the screen. Max Fleischer's story is also one of a creative genius struggling to fit in with the changing culture of golden age cinema. Out of the Inkwell captures the twists and turns, the triumphs and disappointments, and most of all the breathless energy of a life vibrantly lived in the world of animation magic.

• Sales Rank: #1916247 in Books
• Published on: 2011-07-21
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .53" w x 5.51" l, .66 pounds
• Binding: Paperback
• 232 pages

From Booklist
Richard Fleischer achieved a measure of success as the director of such movies as Fantastic Voyage, but in Hollywood history he is dwarfed by his father, animated-cartoon pioneer and technological innovator Max Fleischer. Besides creating the jazz-age siren Betty Boop and bringing Popeye and Superman to the screen, Max invented the rotoscope, a process for creating animated cartoons by tracing live-action footage. Curiously, in this lively memoir his son seems more enthusiastic about Max's inventions than about his cartoons, which get relatively short shrift, perhaps because, while Max ran the studio (much like rival Walt Disney), others directed the cartoons. Richard also dwells heavily on business matters, especially Max's disastrous 1938 decision to move his studio from New York to Miami, which set the stage for Paramount to seize control and drive him out of business. There was no second act for Max, who slowly declined until his death in 1972. Richard's loving if not exactly unbiased portrait is an entertaining supplement to more substantive and objective accounts of Max's significance to cinema. Gordon Flagg
Copyright © American Library Association. All rights reserved

Review
"A vivid portrait of the life and world of a man who shaped television animation and became a major player in the development of Hollywood entertainment." ―Animation Magazine"

"There is probably no one more important to the birth and early development of animation than Max Fleischer and no one better than his son, director Richard Fleischer, to tell the amazing story of the creative genius behind Fleischer Studios." ―Army Archard"

"A short, informal and highly―do we dare?―animated history" ―Barnstable Patriot"

"Besides creating the jazz-age siren Betty Boop and bring Popeye and Superman to the screen, Max invented the rotoscope, a process for creating animated cartoons by tracing live-action footage. . . . [A] lively memoir." ―Booklist"

"Fleischer captures the life and career and other talented family members this succinct, anecdote-filled biography. This book deserves a wide readership. Highly recommended." ―Choice"

"A precious record of an important animation pioneer." ―Animation"

"Max Fleischer, the main Hollywood rival of Walt Disney, finally gets his due." ―Dallas Morning News"

"Max Fleischer is animation's unsung hero. If Walt Disney is the most celebrated and chronicled producer in the history of the medium, Fleischer is his polar opposite. Fleischer has long been a hero to anyone who loves animated cartoons. Now, thanks to his son, we can get to know the very human figure behind all those wonderful films." ―Leonard Maltin, from the foreword"

"A primary piece of history that tells the story of an unexplored but vital figure in animation's short history." ―Palm Beach Post"

"Richard Fleischer has brought a loving tribute to his dad, and a reminder, in times where computer animation seems so effortless, of just how much hard work it took for the pioneers in the field to make the drawings dance." ―Times of Acadiana"

"A wonderful read and a tribute by a son to a famous father." ―Umbrella"

"Richard Fleischer, director of 20,000 Leagues Under the Sea, charts the life of his dad, who animated Popeye and Superman, as well as Ms. Boop, and seemed destined to trump Walt Disney in the annals of animation history." ―Vanity Fair"

"Richard Fleischer, a film director who never became a household name despite working with some of Hollywood's biggest stars [his son] Max Fleischer, and Max's siblings were pioneers in the early days of animation, gaining fame with their Betty Boop and Popeye the Sailor shorts in the 1930s."―The New York Times"―

From the Publisher
Foreword by Leonard Maltin

Most helpful customer reviews

19 of 21 people found the following review helpful.
An Animation Giant
By Rob Hardy
Everyone knows Walt Disney and his animated creation Mickey Mouse. When cartoons were just starting to become standards of entertainment, however, Disney had one real competitor, whose name is not as well known to the public but is well regarded by cartoon fans: Max Fleischer. The creator of Betty Boop and the animator of Popeye the Sailor and Superman, Fleischer also invented gadgets that made animation easier and more realistic. In _Out of the Inkwell: Max Fleischer and the Animation Revolution_ (University Press of Kentucky), Fleischer's son, Richard, has given us a short memoir and biography of an amazing artist and technician. It is appropriately full of filial admiration, as Max Fleischer seems to have been a genuinely admirable man and a loving father. His son even starts his book by contradicting the saw that it is difficult to be the son of a famous man. "I grew up as a famous man's son, and I didn't find it difficult at all. In fact, it was great." The animator was famous enough, for instance, that just by mentioning his name, his son could get into the movies free. Fleischer never had a Fleischerland theme park, or the entertainment connections that Disney had, but his place in animation is secure, and this fond biography allows us to appreciate his contributions to the art.

Animated cartoons by 1915 were very primitive; they moved, but in a jerky and unrealistic way. In a combination of his love of drawing and gadgetry, Fleischer realized that a motion picture camera could be rigged to take pictures that could be traced in ink. It wasn't easy; the process involved tracing sixteen pictures for a second of film, and then photographing each drawing onto motion picture film. It seems obvious now, but no one had ever thought of it before, and Fleischer took out a patent for the Rotoscope. Eventually Paramount produced a series of his "Out of the Inkwell" cartoons consisting of Ko-Ko the clown, coming to life on the animation board in front of Fleischer, interacting with him in live action, and then being captured into the ink bottle again. No one had ever seen anything like it, and it was a worldwide hit. Disney was the spur for Fleischer's most enduring creation. Mickey Mouse pushed Ko-Ko off center stage, so Fleischer responded by giving Ko-Ko a new dog, tough, cigar-chewing, and piano-playing. It didn't work, so the dog was replaced by a half-dog, half-human love interest for Ko-Ko. She was ugly, with saucer eyes an enormous bouncy behind, but Paramount thought she was great. Fleischer refined her, took away her dog's snout and ears, gave her a sexy figure, and a new name: Betty Boop. She was a sensation; Cab Calloway and Louis Armstrong played for her cartoons, there were tie-in dolls and dishes and fan clubs, and a daily comic strip. Betty made over a hundred pictures, with her initial career winding down at the end of the thirties. The Motion Picture Production Code killed her; her harmless sexual image was stripped of its garter and plunging neckline, and her hemline dropped. She became less fun, and audiences less enthusiastic, and the series ended so that America could be safe from Betty's smut.

Fleischer had other notable successes, like the original Superman cartoons, and the first animated Rudolf the Red Nosed Reindeer. It did not ensure him financial success; the author tries to clarify the murky funny-business by which Paramount summarily canceled their contract and asserted rights to all of Fleischer's creations. By the sixties he was broke, but his family arranged for him and his wife to be cared for in the Motion Picture Country House, set up for Hollywood figures that needed a place for retirement. The King Features Syndicate brought out a new line of Betty Boop products in 1972, and it seems as if she will live forever. 1972 was the year, though, that Fleischer died, and he didn't get to experience her reappearance in pop culture. Richard Fleischer has brought a loving tribute to his dad, and a reminder, in times where computer animation seems so effortless, of just how much work it took for the pioneers in the field to make the drawings dance.

3 of 3 people found the following review helpful.
For Any Fleischer Fan
By Vic Mabuse
Alas, I have been doing a lot of reading lately. I have been reading, and finished tonight, Out of the Inkwell, by Richard Fleischer, son of animation legend Max Fleischer.
I have really enjoyed reading the perspective of a son remembering the life of his beloved father.
Several things I learned reading this book:
Max was a fan of the film The Cabinet of Dr. Caligari
Max liked the play, R.U.R. (Rossum's Universal Robots)
Max was a brilliant and rather prolific inventor
Max loved dirty and dingy drugstores apparently for their atmosphere and chocolate ice cream treats.
The book is a must read for any Fleischer fan. I must admit, I was quite captivated reading the history, not so much of Fleischer studios, but Max the man as told from the perspective of his son. Max's story is an exciting one that I found poignant at times. His son has done a worthy and honest tribute to his father.
This evening, in honor of Max Fleischer, we are screening vintage Betty Boop cartoons. What better way to end the reading of a biography of a great man than with a screening of his greatest creation?!

2 of 3 people found the following review helpful.
One of the great true Hollywood stories.
By I. Sondel
This is a fascinating memoir of Max Fleischer, "the" great pioneer of 20th Century motion picture cartoon making, written by his son Richard Fleischer* [*himself the director of such films as "20,000 Leagues under the Sea," "Compulsion," "10 Rellington Place" and "Fantastic Voyage"]. This isn't one of those exhautive (or exhausting) biographies that regurgitate facts and statistic about a great artist no matter how redundant, erroneous or incongruous; rather this is a loving tribute to an incredible man, artist and father.

Max Fleischer was the genuine article. He created Koko the Clown, Betty Boop and "follow the bouncing ball" and brought them lovingly to life on the big screen. His studio also produced the Popeye the Sailor and Superman cartoon shorts. He was an extraordinary inventor who held patents on a number of revolutionary filmmaking gadgets and gizmos. Though he inspired uncommon respect and loyalty from those in his employ, he was not a great businessman. Max was an honest and far too trusting man, who unwittingly got into bed with those nefarious folks at Paramount.

This is a great unfilmed Hollywood story, one I'd love to see brought to the big screen by Francis Ford Coppola (a la "Tucker: The Man and His Dream" - the two stories have much in common). Max Fleischer's life story is filled with drama and passion. He was an uncommon man of talent and ambition. His was an American dream that came true, and then became a nghtmare. Still, through it all, he remained optimistic. Bravo Max, and bravo Richard Fleischer for telling your father's story with such care.

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^ Fee Download The Chronicle of the Czechs (Medieval Texts in Translation), by Cosmas of Prague

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The Chronicle of the Czechs by Cosmas of Prague (d. 1125) is a masterwork of medieval historical writing, deeply erudite, consciously researched, and narrated in high rhetorical style. Regarded as the foundational narrative of Czech history, it is the source of the oldest stories about the land, people, and rulers of Bohemia and Moravia. Lisa Wolverton provides the first annotated English translation of this eminently enjoyable and teachable work.

The first of the three books of the Chronicle describes the earliest people to arrive in Bohemia, the first rulers and the origins of the Přemyslid dynasty, the founding of Prague, and the early phases of Christianization. Book Two covers the period from 1037 to 1092, the age of Duke Břetislav I and his five contentious sons. Book III treats events contemporary with the author's writing, a time of great political upheaval, both internally and in relation to neighboring Germans, Poles, and Hungarians. Preeminently concerned with rulers and political life, the chronicle is striking for its narrative brilliance, vivid characters and scenes, dramatic dialogues, evocative soliloquies, and deep classical and Biblical erudition. In composing it, Cosmas sought to define the Czechs as a nation through history, compel them to think about their political culture, and urge reform, justice, and responsibility.

The oldest history of a Slavic people written by a Slav, the work rivals any medieval chronicle in its verve, accessibility, and insight into the very nature of political power. The Chronicle of the Czechs will be indispensable for medieval specialists wanting to extend their reach into Eastern Europe, as well as for college instructors in search of a lively and insightful text on medieval political life generally.

"The book's clear introduction, well-drawn maps, and generous notes serve as gentle but essential guides for students and scholars alike. Cosmas's medieval masterwork deserves no less than this impressive and accessible translation."--David Mengel, Xavier University

ABOUT THE TRANSLATOR:

Lisa Wolverton is associate professor of history at the University of Oregon, coauthor of Reinventing Knowledge: From Alexandria to the Internet, and author of Hastening toward Prague: Power and Society in the Medieval Czech Lands.

PRAISE FOR THE BOOK:

"The first Slavic historian of a Slavic people (as the translator notes, p. 3), Cosmas described in three books the story of the Czechs from mythic prehistory through the early generations of the ruling Premyslid dynasty. His learned and lively history makes the age come alive, and it is absolutely essential for the study of early Czech history. . . . Wolverton has made an important contribution by making this text available in English. Her translation is excellent, and the accompanying notes are extremely useful. . . . A useful bibliography, three maps, a genealogy, and lists of rulers and bishops complement this welcome book. . . . Essential."--P. W. Knoll, Choice

• Sales Rank: #1189881 in Books
• Published on: 2009-02-18
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .66" w x 5.51" l, .91 pounds
• Binding: Paperback
• 294 pages

Review
"The book's clear introduction, well-drawn maps, and generous notes serve as gentle but essential guides for students and scholars alike. Cosmas's medieval masterwork deserves no less than this impressive and accessible translation." - David Mengel, Xavier University"

From the Back Cover
"The book's clear introduction, well-drawn maps, and generous notes serve as gentle but essential guides for students and scholars alike. Cosmas's medieval masterwork deserves no less than this impressive and accessible translation."--David Mengel, Xavier University

About the Author
Lisa Wolverton is associate professor of history at the University of Oregon, coauthor of Reinventing Knowledge: From Alexandria to the Internet, and author of Hastening toward Prague: Power and Society in the Medieval Czech Lands.

Most helpful customer reviews

4 of 5 people found the following review helpful.
A Czech Saxo Grammaticus
By epicswisdomandlies
Like most medieval chronicles, 'The Chronicle of the Czechs' follows human memory from prehistory, through the dim and distant past, to stories told by the elders and finally to the author's present day (in this case, approximately 1125). The pattern of myth to legend to hearsay to history often makes an engaging read, as with Saxo Grammaticus. Here the author, Cosmas of Prague, segues from the Bible (the Tower of Babel and the flood) to Greek myth (including Odysseus and Medea) to dragons, witches, soothsayers and, eventually, archbishops and noble dukes. This odd and enjoyable mix includes biblical references, classical tales and anecdotes from the history of any area that, inexplicably, is still a mystery to most of us. Highly recommended.

2 of 2 people found the following review helpful.
nice read
By Loki
This is a beautiful translation. Not boring like most chronicles. I was very impressed. Very dark stories contained within. A must read for fans of European history.

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^ Fee Download Saint Thomas Aquinas, Vol. 1. The Person and His Work, by Jean-Pierre Torrell

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Highly acclaimed as the most reliable, thorough, and accessible introduction to Thomas Aquinas, this first volume in Jean-Pierre Torrell's set of books on the great Dominican theologian has been revised to include a new appendix. The appendix consists of additions to the text, the catalog of Aquinas's works, and the chronology. Each item in the appendix is called out in the original part of the book with an asterisk in the margin.

"This is the introduction to Thomas: presenting all the known facts of his life and work, tracing the themes of his writing out of his juvenilia, and following the influence of his thought in the years immediately after his death."―First Things

"The most up-to-date biography available."―Choice

• Sales Rank: #560022 in Books
• Published on: 2005-04-06
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x 1.03" w x 5.98" l, 1.58 pounds
• Binding: Paperback
• 464 pages

Review
"This is the introduction to Thomas: presenting all the known facts of his life and work, tracing the themes of his writing out of his juvenilia, and following the influence of his thought in the years immediately after his death."

Language Notes
Text: English (translation)
Original Language: French

From the Publisher
First published in 1993 as Initiation saint Thomas d'Aquin: Sa personne et son oeuvre, this volume offers a thorough introduction to the life and works of Thomas Aquinas as well as a sustained reflection on the spiritual aspects of his life and teaching. For many readers, this English translation may well take the place of James Weisheipl's study, Friar Thomas D'Aquino. Broader in scope than Weisheipl, with greater emphasis on Thomas's personality and spirituality, this work also takes advantage of the research into Aquinas's life and times that has occurred in the twenty years since Weisheipl's book first appeared. Jean-Pierre Torrell reviews, clarifies, and frequently modifies previous scholarly conclusions on Aquinas's life and works. He presents the person of Thomas Aquinas in his complete familial, social, and intellectual context, summarizes the known events and circumstances of Aquinas's life, discusses the contents of his works, and provides a catalog of those works in an appendix. The last months of Aquinas's life and his death receive a fresh review based on careful examination of many witnesses about the events, about his relations with his family, and about his personal holiness. Thomas's daring originality is brought out clearly in the final two chapters, which describe the controversies in the years immediately after his death, the condemnations and rehabilitation of a few of his positions, and the process leading to canonization. This volume is the first of two on Thomas Aquinas to be written by Torrell. The second, which explores further the spiritual aspects of Aquinas's teaching, is completed in French and awaits translation into English.

On the French edition: "[A] magnificent achievement. . . . It will be an indispensable tool for every student of Thomas Aquinas."--The Thomist

"Torrell's book is the crown of recent research into Aquinas. Coming in the 1990s, it shows how greatly the 20th century has expanded the knowledge of Aquinas's thought and medieval milieu. . . . With painstaking scholarship [Torrell] offers his own opinions on hundreds of technical problems of biography, chronology, and of the context and purpose for all the writings. He devotes more time to Aquinas's theology and to Aquinas's life in the midst of a religious world than did Weisheipl. . . . It is clear that this book is the result of decades of careful reading and annotation; . . . it is the work of a scholar who is interested in meticulous discussions over chronology but also in the human side of Aquinas's years of intense labor."--Theological Studies

Jean-Pierre Torrell is a Dominican priest of the Toulouse province. He earned a doctorate in theology from the Facults dominicaines du Saulchoir in 1961, and later a second doctorate, in philosophy, from the Universit de Montral. From 1973 to 1981, while teaching at the Gregorian University in Rome, Father Torrell was a member of the Leonine Commission, where he contributed to research on and the editing of Aquinas's works. In 1981 he assumed the post of professor of dogmatic theology at the University of Fribourg.

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2 of 2 people found the following review helpful.
Five Stars
By Amazon Customer
Comprehensive and informative

4 of 4 people found the following review helpful.
An excellent source
By Frequent Amazon Shopper
This text summarizes all the best information out there on the "Dumb Ox". The work is definitely academic; be prepared for that, but Torrell goes deeper than the simple stories you may have known or heard about St. Thomas.

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~ Ebook Aquinas and Sartre: On Freedom, Personal Identity, and the Possibility of Happiness, by Stephen Wang

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Thomas Aquinas and Jean-Paul Sartre are usually identified with completely different philosophical traditions: intellectualism and voluntarism. In this original study, Stephen Wang shows, instead, that there are some profound similarities in their understanding of freedom and human identity. Aquinas gives far more scope than is generally acknowledged to the open-endedness of reason in human deliberation, and argues that we can transform ourselves in quite radical ways through our choices. Sartre famously emphasizes the radical nature of choice, but also develops a subtle account of rationality and of the factual limits we encounter in the world and in ourselves. And in both thinkers the heart of human freedom lies in our ability to choose the goals we are seeking, as we search for an elusive fulfilment that lies beyond the confines of our temporal experience.

This important study will interest Aquinas and Sartre scholars, as well as general readers seeking an introduction to their thought. It will also be invaluable for philosophers seeking fresh perspectives on questions of freedom, happiness, personal identity, act theory, meta-ethics, and theories of the self.

ABOUT THE AUTHOR:

Stephen Wang lectures in philosophy and systematic theology at Allen Hall, London, and is visiting lecturer in moral philosophy at St Mary's University College, Twickenham.

PRAISE FOR THE BOOK:

"This provocative book juxtaposes two philosophers normally associated with radically different perspectives. . . . The book's strength lies in its clear and nuanced explanation of highly complex ideas, demonstrating even more care by providing original language citations for key terms. . . . Overall, this clearly written analysis offers important insights into political anthropology, action theory, existentialism, and Thomistic studies." ― A. W. Klink, Choice

"Wang articulates with astonishing clarity, precision, and subtlety the common features of Aquinas' and Sartre's accounts of the meaning of human existence, the process of human understanding, freedom, and the pursuit of happiness." ― Severin Kitanov, Religious Studies Review

"This provocative book juxtaposes two philosophers normally associated with radically different perspectives. Wang finds areas of similarity and convergence between Aquinas and Sartre in their focus on identity and action theory. The book's strength lies in its clear and nuanced explication of highly complex ideas, demonstrating even more care by providing original language citations for key terms. . . . Overall, this clearly written analysis offers important insights into philosophical anthropology, action theory, existentialism, and Thomistic studies. . . . Recommended." ― A. W. Klink, Duke University

"[A] well-written volume." ―Eileen C. Sweeney, Journal of the History of Philosophy

"A brilliant and original piece of work. Under Wang's probing examination Aquinas and Sartre emerge as ideal commentators on each other's work. Rarely have I seen such a combination of genuine scholarship and interpretative flair, in such a readable prose."―Timothy McDermott, editor of Thomas Aquinas: Selected Philosophical Writings

"Stephen Wang is exceptionally well-placed to discuss the intriguing and unexpected relationship between Sartre's existentialism and Aquinas's apparent 'essentialism,' and to show the common ground they share over issues such as responsibility, freedom, and even happiness. This book is stimulating, clearly written, and highly original."―Christina Howells, University of Oxford, editor of The Cambridge Companion to Sartre

"A major contribution to the appreciation of both authors."―Thomas Flynn, Emory University, author of Sartre, Foucault, and Historical Reason

• Sales Rank: #4218083 in Books
• Brand: Wang, Stephen
• Published on: 2009-03-10
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 1.10" w x 6.30" l, 1.45 pounds
• Binding: Hardcover
• 298 pages

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Winner of the 2001 The Lincoln Group of New York's Award of Achievement A History Book Club Selection The assassination of Abraham Lincoln is usually told as a tale of a lone deranged actor who struck from a twisted lust for revenge. This is not only too simple an explanation; Blood on the Moon reveals that it is completely wrong. John Wilkes Booth was neither mad nor alone in his act of murder. He received the help of many, not the least of whom was Dr. Samuel Alexander Mudd, the Charles County physician who has been portrayed as the innocent victim of a vengeful government. Booth was also aided by the Confederate leadership in Richmond. As he made his plans to strike at Lincoln, Booth was in contact with key members of the Confederate underground, and after the assassination these same forces used all of their resources to attempt his escape. Noted Lincoln authority Edward Steers Jr. introduces the cast of characters in this ill-fated drama, he explores why they were so willing to help pull the trigger, and corrects the many misconceptions surrounding this defining moment that changed American history. After completing an acclaimed career as a research scientist at the National Institutes of Health, Edward Steers Jr. has turned his research skills to the Lincoln assassination. He is the author of several books about the president, including The Trial. He lives in Berkeley Springs, West Virginia.

• Sales Rank: #329183 in Books
• Published on: 2005-09-15
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 6.00" w x .80" l, 1.26 pounds
• Binding: Paperback
• 376 pages

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0 of 0 people found the following review helpful.
Blood On The Moon Recommendation
By Amazon Customer
Excellent book, using primary research. A must read for people who want to know more about this tragic time in our history.

3 of 4 people found the following review helpful.
Excellent Book
By A Customer
A very interesting and detailed account of the Lincoln assassination and the escape and apprehension of the assassins. The author did an excellent job of discussing and debunking the myths associated with the assassins. For example, there is a story that John Wilkes Booth survived the burning barn and lived into old age in Oklahoma. The author describes in detail who identified Booth's body and how it was identified, including a specific tattoo on his hand. All in all, very well done. This book can be enjoyed on several levels. There is extensive detail for those who are fascinated by the subject and an excellent bibliography and footnotes. My husband, a more casual reader, skipped over some of the detail, but still enjoyed the book very much.

0 of 0 people found the following review helpful.
Learn and be informed by a wonderful writer
By David Marshall
One of the best books on this subject.

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" Richard Drake has skillfully woven together the various strands of the Appalachian experience into a sweeping whole. Touching upon folk traditions, health care, the environment, higher education, the role of blacks and women, and much more, Drake offers a compelling social history of a unique American region. The Appalachian region, extending from Alabama in the South up to the Allegheny highlands of Pennsylvania, has historically been characterized by its largely rural populations, rich natural resources that have fueled industry in other parts of the country, and the strong and wild, undeveloped land. The rugged geography of the region allowed Native American societies, especially the Cherokee, to flourish. Early white settlers tended to favor a self-sufficient approach to farming, contrary to the land grabbing and plantation building going on elsewhere in the South. The growth of a market economy and competition from other agricultural areas of the country sparked an economic decline of the region's rural population at least as early as 1830. The Civil War and the sometimes hostile legislation of Reconstruction made life even more difficult for rural Appalachians. Recent history of the region is marked by the corporate exploitation of resources. Regional oil, gas, and coal had attracted some industry even before the Civil War, but the postwar years saw an immense expansion of American industry, nearly all of which relied heavily on Appalachian fossil fuels, particularly coal. What was initially a boon to the region eventually brought financial disaster to many mountain people as unsafe working conditions and strip mining ravaged the land and its inhabitants. A History of Appalachia also examines pockets of urbanization in Appalachia. Chemical, textile, and other industries have encouraged the development of urban areas. At the same time, radio, television, and the internet provide residents direct links to cultures from all over the world. The author looks at the process of urbanization as it belies commonly held notions about the region's rural character.

• Sales Rank: #557758 in Books
• Brand: Brand: The University Press of Kentucky
• Published on: 2003-09-01
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .72" w x 5.98" l, 1.16 pounds
• Binding: Paperback
• 304 pages

Features

• Used Book in Good Condition

Review
"Named a Choice Outstanding Academic Title for 2002."―

About the Author
Richard B. Drake, professor emeritus of history at Berea College, is one of the founding members of the Appalachian Studies Association.

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42 of 44 people found the following review helpful.
Appalachia Defined
By E. E Pofahl
A HISTORY OF APPALACHIA is a well-written, history of Appalachia. The introduction notes that "....there are those who reserve as Appalachia only those areas of the Southern Appalachians that are `real mountains." The author's definition is broader including "all of the provinces of the Southern Appalachian" and extends to western Pennsylvania.
The book is organized in three parts. Part 1, titled THE CONTEST FOR APPALACHIA, covers the period from the Indians through the American Revolution. The author writes "The principal class who migrated to America after 1715 were mostly folk who shared a....desire for land to support their basically simple lives." These migrants passed through the coastal area and settled in the backwoods where small acreages were cleared and became basically a predominately yeoman (farm) economy.
Part 2, THE NEW NATION AND THE APPALACHIAN BACKWOODS, covers the period through the Civil War. While Appalachia supported the Revolution, they had no representation at the constitutional debates of 1787-1789. "By 1800 quite a different European-derived society had developed along the Appalachian frontier" and the author notes that a "snug little rivalry" developed between the east and west sections of the eastern states. Appalachia supported the War of 1812 when loyalty soared in the Appalachian backwoods but divisive issues would soon appear.
The text notes "most small farmers in East Tennessee, northern Georgia, West Virginia and eastern Kentucky usually identified more strongly with the....Union." These areas were often identified with the Radical Republican during Reconstruction.; however, by 1876 the ex-Confederates had again assumed control. The text briefly discusses the feuds of the era noting many were active "before the Civil War."
The author notes that after the Civil War in the remoteness of mountain regions far from adequate transportation ", a remarkable similar way of life developed in Appalachia's most isolated sections" which resulted in increased isolation reinforcing a stereotype about a `strange and peculiar people."
MODERN APPALACHIA, Part 3, narrates the period from Post-Reconstruction to the year 2000 covering the Industrial Revolution, the Depression, the War on Poverty, and finally the dawning of the Information Age. As the text notes "Appalachia has always been a complex area." From "1865 to 1920, Appalachia was discovered" and defined "by literate America who were northern writers. The picture that emerged was often grossly inaccurate, based on stereotype and self-serving characteristics." For example, "....the word hillbilly did not appear until 1900 when a New York Journal reporter defined such people as `free and untrammelled white' citizens living in the hills' with `no means to speak of, `who dresses as he can,'drinks whiskey, and fires off his revolver as fancy takes him."
During the machine age the mineral exploitation of the area took place and in many areas of the Great Valley significant industrial developments followed the railroads with an area like the Kanawha Valley in West Virginia becoming what was called "the American Ruhr. "By 1900 all the coalfields in West Virginia....were in full production." Lumbering also became an important Appalachian industry.
Tourism was another commercial activity that invaded the cultural traditional of Appalachian society, aided by the development of the National Forests of Appalachia and the emergence of The Great Smoky Mountain National Park.. However, the exploitation of region's fossil fuels was the major industrial invasion.
The author states that Appalachia went from a plutocracy to the Welfare State and back again to the present governing by the rich and powerful. With the collapse of the country's market system during the Depression new life came into the yeoman system of self-sufficient agriculture. "Because of the great economic maladjustments in Appalachia's major industries....large numbers of people were able to qualify for welfare benefits"....with the nations welfare system growing out of New Deal reform measurers. The War on Poverty, 1964 to 1968, resulted in 1965 of the formation of the Appalachian Regional Commission which remains active today benefiting the region. Regarding welfare reform, the author makes the interesting observation that "Even yet in Appalachia, it may be that the only reform that can succeed must be seen through the lens of yeomanry."
The text notes "...the region's society is far more diversified than the traditional picture painted as a stable enclave of Anglo-Saxon, Scotch-Irish, and Germans." The 1930s and WWII brought important changes to the Appalachian culture. During WWII, there was a mass migration of Appalachians north for employment. Also, there was the wartime industrial growth in Appalachian fossil fuel extraction and the development of the chemical industry in West Virginia. Unfortunately, the text notes "The regional picture in Appalachia since the 1980s has been generally gloomy."
Chapter 13 discusses the Appalachian Mind noting that "....the area began to find its own scholarly voice soon after World War II" and states this scholarship betrays a strong anger against American corporate capitalism and "....attests to the kind of tragic picture that Appalachian history presents."
The final chapter discusses the future of Appalachia noting "As coal and agriculture,...., move into further decline, the essentially insatiable industries of education, health services, recreation, and tourism will provide the major job opportunities in the future." Regarding the future, the text concludes " There is, and in fact has always been, a place for a viable, yeomanesque-style of life that is attractive to those unwilling or unable to join the mainstream's affluence." Shades of today's politician's statements about "the family farm."
The Source listing for this book is excellent. Instead of a long alphabetical and/or type listing of sources, sources are listed separately for each chapter so that the reader can determine the author's sources plus read in further depth if desired.
The only technical error I noted is on page 200 where the author stated that the nuclear fuel for the atomic bombs was processed "At its vast Centrifugal Plant, Oak Ridge...." The fuel for these bombs was processed at the Oak Gaseous Diffusion Plant NOT at a Centrifugal Plant. An Oak Ridge Centrifugal test loop wasn't built until the 1970s

3 of 3 people found the following review helpful.
A place and a people apart
By Harry Eagar
From Lookout Mountain, Tennessee, on a clear day you can see most of Appalachia: See Seven States is the slogan. From my grandmother's porch on "The Brow" nearby on Signal Mountain, you could see six states.

But is Appalachia even a place? It is surely an ecological province, and a very interesting one. For its size, it has more tree species than any other part of the temperate zone, for example. But is it a specific historical zone?

Richard Drake, who was a historian at Berea College, takes this question seriously. Some other scholars have averred that Appalachia was an invention of outsiders. As an Appalachian myself, I never had any doubts that we were different from other folks, and Drake concludes the same.

Geographically, Appalachia extends nearly to Canada, but in human terms it divides fairly cleanly into northern and southern sections, and it is the southern part that is usually thought of when the word is used. For most purposes, Drake takes Appalachia to run south from Pittsburgh.

The original residents of Appalachia do not seem to have formed a distinctive zone. Indian cultures, so far as we know them, were not coterminous with the several hundred counties in 10 states that make up Drake's Appalachia. The reason, not identified by Drake, is simple. Uncomplicated Indian material culture was not constrained by rugged mountains. One could hunt, fish and grow a little corn and pumpkins as easily in the mountains as in the bottoms. (Hawaii, where I live now, shows a similar situation. Places, such as valleys on the north shore of Molokai, that today are so remote that people scarcely visit them, were populated in premodern times, because they were nearly self-sufficient.)

It was the irupution of iron, gunpowder and woven cloth into the southeast that allowed the evolution of a distinctive Appalachian cultural zone. Mountain people were necessarily going to be poorer than residents of the Piedmont. Drake distinguishes three kinds of Appalachians: the educated, politically dominant county seat townsfolk, the prosperous farmers in the bottoms and the ones he cares most about, who have been called Branchwater Mountaineers: Largely unschooled, with unproductive farms and, until radio came, spotty contact with the rest of the world.

Drake defines these backwoodsmen as inheritors of a "yeomanesque" outlook, derived from their ancestors in (mostly) Britain and Germany (although he frequently reminds his readers that Africa was the origin about about 10 percent of Appalachia's non-native population), who yearned for their own land and a chance to live on their own. They had little hankering for money income and so no inclination to commercial agriculture.

As often happens when people are in no position to become wealthy, they developed a system, of esteem and respect that was not based on money. That alone made Appalachians outsiders in the American culture.

By an historical accident, the people who settled Appalachia were largely from what David Hackett Fischer calls the British Borderlands of northern England, lowland Scotland and northern Ireland, an area without effective central government but with a culture of honor, blood feuds, primitive agricultural methods and violence. Drake specifically says these "Scotch-Irish" were good farmers, but he is wrong and Fischer is right. The Germans, largely from the Palatinate, were good farmers, but the English-speakers were, and are, not.

The biggest flaw in Drake's otherwise admirable book is his rejection of what might be called the Fischer premise (stated in his "Albion's Seed"), that Appalachia was (and is) more violent than the American general level. Drake says the stereotypical version of the feudin', fightin', cousin-marryin' highlander is exaggerated.

Not by much. As a Kentucky writer, he has to address the Hatfield-McCoy legend and some other aspects of Southern mountain violence (like the Saltville massacre), but he downplays its pervasiveness.

In order to do this, he has to overlook some serious kinds of organized and unorganized violence. The Night Riders of Kentucky in 1907-08, the Siege of Athens (Tennessee) and the Homestead strike, for example, which he doesn't mention.

On the other hand, he is right to emphasize the almost crazed land hunger that marks the southern highlander. The fierceness with which the typical Appalachian defends his property line, especially from the occasional agent of public law, is no stereotype.

Drake is also under the influence of Immanuel Wallerstein and World System Theory and tends to favor some recent scholarship that treats Appalachia as an internal colony for resource extraction in the larger country. This is defensible but unpersuasive. Drake, judicious throughout, sympathizes with the economic plight of the Branchwater Mountaineer but draws back from the forthright anger of a Harry Caudill ("Night Comes to the Cumberlands").

I find Caudill more persuasive.

"A History of Appalachia" reads as if it were written as a text for an introductory level college course, and in a few pages tries to be comprehensive. I think he underdoes mountain religion and music and overdoes the printed part of mountain culture.

Southern Appalachia is a strange and beautiful place, populated by a strange and prideful people, too exuberant, idiosyncratic and standoffish to be limned in a volume of fewer than 300 pages. But as a thoughtful introduction, "A History of Appalachia" covers, or at least touches upon, all the bases.

1 of 2 people found the following review helpful.
Informative and packed with economic details, but could have used some editing and more detail about the backwoods people
By Christopher Culver
Richard B. Drake's "A History of Appalachia" describes this mysterious part of the eastern United States from the pre-European era to the end of the 20th century. Although published by the University Press of Kentucky, this is meant for a general audience. There are no footnotes or in-text citations, and references are cited at the end of the book.

There are many definitions of Appalachia, and some scholars have questioned whether it even makes sense to speak of one such region. Drake sees Appalachia as the mountainous areas of northern Alabama and northern Georgia, the west of South Carolia, Tennessee, eastern Kentucky, West Virginia, part of the west of Virgina and finally western Pennsylvania. What unifies this whole region, Drake claims, is the feature of yeomanry: a society where a family owns and farms its own land. The earliest settlers came from portions of Great Britain and Germany whose inhabitants were hungry for land, wanting that sort of security and unwilling to work on larger commercial farms. Though Appalachian society has diversified and yeomanry involves a minority of Appalachians, Drake believes this phenomenon has continued to the present day.

The economic history of Appalachia also interests Drake. He notes that for centuries this part of the United States was fairly self-sufficient. The industrialization of the US brought the area into the capitalist system. A heavy demand for coal and timber meant that the region was exploited for its natural resources, with results that weren't entirely fair for locals. The book closes with some musings on how Appalachia can prosper economically without losing the traditional values that Drake admires.

A HISTORY OF APPALACHIA is certainly informative on many levels. Unfortunately, this work isn't all that enjoyable and doesn't live up to its potential. Another reviewer called this a "cut and paste" effort, and it's easy to see why. It reads like Drake was just copying whole bits out of earlier sources and then never went back and ironed the text out. I lost count of how many times a factoid is given and then repeated in slightly different wording on the following page. What is also tiresome is that on one hand Drake claims that the stereotype of the violent, illiterate mountain man is unfair, perhaps an invention of outsiders, but on the other hand he sometimes notes that there exist such Appalachians. He fails to give a deeper description of such people, whose psychology would be genuinely interesting to readers from other parts of the United States. Finally, the text may be dated already: the only problem backwoods folk seem to face is poverty, but the issue of methamphetamine use is never presented.

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^^ Download PDF Master of Penance: Gratian and the Development of Penitential Thought and Law in the Twelfth Century (Studies in Medieval and Early Modern

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This book presents the first full-scale study of the Tractatus de penitentia (C.33 q.3) in Gratian's Decretum, which became the textbook for canon law and served as the basis of the church's developing jurisprudence, in theory and in practice. The treatise on penance stands out as a distinct, overtly theological section of Gratian's work and was long suspected of being a later addition to the Decretum. As a result, the treatise has not received thorough treatment and has often not been included in scholars' general discussions of Gratian's work, its nature, and its purpose. Manuscript discoveries in the 1990s proved the treatise to be authentic and to be part of Gratian's early drafting of his text. This study examines the treatise in its entirety, providing a commentary on the content of the treatise (which extends beyond questions of penance) and an examination
of its relationship to the early twelfth-century schools, positing above all a connection to the school of Anselm of Laon. The study also re-examines the question of the nature and purpose of Gratian's Decretum in light of the original inclusion of De penitentia and of Gratian's role as a teacher, or master.

The second half of the book traces the influence of De penitentia in the second half of the twelfth century and through the pontificate of Innocent, culminating in the Fourth Lateran Council (1215). That period was crucial for the development of systematic theology and ecclesiastical jurisprudence. Nevertheless, the period was also one in which boundaries between academic fields were far from solidified, which the treatment of De penitentia by various intellectuals demonstrates. The period witnessed as well the development of new kinds of penitential literature and an increase of business at the papal curia. Gratian's De penitentia exercised influence in both realms. In brief, Gratian's De penitentia constituted the fundamental text on penance in the period.

• Sales Rank: #1720438 in Books
• Published on: 2014-01-08
• Original language: English
• Number of items: 1
• Dimensions: 8.70" h x 1.70" w x 5.90" l, 2.00 pounds
• Binding: Hardcover
• 576 pages

Review
“This substantial, monographic treatment of Gratian’s treatise De penitentia comes at a propitious moment. . . . Dr. Larson’s careful, well-documented, and rigorously critical sifting of the evidence . . . provides an invaluable basis for further scholarly investigations and arguments. There is nothing comparable published in any language.”―Joseph W. Goering, professor of history, University of Toronto

About the Author
ATRIA A. LARSON is a Visiting Scholar in the Center for Medieval and Renaissance Studies at Saint Louis University.

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@ Ebook Free Hollywood's Indian: The Portrayal of the Native American in FilmFrom University Press of Kentucky

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Offering both in-depth analyses of specific films and overviews of the industry's output, Hollywood's Indian provides insightful characterizations of the depiction of the Native Americans in film. This updated edition includes a new chapter on Smoke Signals , the groundbreaking independent film written by Sherman Alexie and directed by Chris Eyre. Taken as a whole the essays explore the many ways in which these portrayals have made an impact on our collective cultural life.

• Sales Rank: #969228 in Books
• Published on: 2003-12-14
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .60" w x 5.98" l, .95 pounds
• Binding: Paperback
• 264 pages

Review
"Raises interesting issues and challenges readers to consider the complex realities of American Indian cultures and Indian/non-Indian relations that major motion pictures often fail to communicate."―American Graduate

"Important and groundbreaking work."―Bookman News

"Enables readers to construct a cinematic chronology of the Hollywood Indian and to comprehend the larger cultural forces at work interpreting the Indian-white past on screen."―Choice

"Rollins and O'Connor have skillfully blended a variety of thoughtful veiwpoints."―Chronicles of Oklahoma

"A collection of quality essays, put together by two of the leading experts in this particular topic area."―Communication Booknotes Quarterly

"Hollywood's representation of Indians is a subject which up till now has generated a lot more heat than light. This welcome new collection of essays covers a lot of ground . . . including a valuable piece on Michael Mann's The Last of the Mohicans and earlier versions of Cooper's 'Leatherstocking Tales,' a surprisingly and convincingly sympathetic essay on Dances with Wolves , and an informative account of Pocahontas ."―Edward Buscombe

"Will become the standard source for reference for an important subject, not only in American contemporary popular culture, but for evolving attitudes in a new century."―Film and History

"The essays provide valuable ways to think about the meaning and impact of Hollywood's portrayal of American Indian characters."―Great Plains Quarterly

"Offers an engaging and timely update to previous critical anthologies."―H-Net Book Review

"An engaging and timely update to previous critical anthologies."―Journal of American Culture

"The value of this collection resides in the concentrated attention it gives to the portrayal of Native Americans on film."―Journal of American Ethnic History

"The essays are solid pieces that place the films in a proper historical and artistic context."―Journal of American History

"The essays add to the growing literature on films about American Indians, and individually, they provide interesting insights into the process of movie-making and viewing."―North Carolina Historical Review

"A welcome contribution to the lively and timely debate on the representation of ethnic minorities in the media."―Zeitscrift fur Anglistik und Amerikanistik

"An excellent set of essays on the subject."―Choice

From the Inside Flap
"Illustrates the widely varying trends and depictions of the American Indian in films"—from the foreword by Wilcomb E. Washburn

"Hollywood's representation of Indians is a subject which up till now has generated a lot more heat than light. This welcome new collection of essays covers a lot of ground . . . including a valuable piece on Michael Mann's The Last of the Mohicans and earlier versions of Cooper's "Leatherstocking Tales," a surprisingly and convincingly sympathetic essay on Dances with Wolves, and an informative account of Pocahontas."—Edward Buscombe

"The essays are useful, enabling readers to construct a cinematic chronology of the Hollywood Indian and to comprehend the larger cultural forces at work interpreting the Indian-white past on screen."--Choice

"Will become the standard source for reference for an important subject, not only in American contemporary popular culture, but for evolving attitudes in a new century."--Film and History

"Raises interesting issues and challenges readers to consider the complex realities of American Indian cultures and Indian/non-Indian relations that major motion pictures often fail to communicate."--American Graduate

"The essays add to the growing literature on films about American Indians, and individually, they provide interesting insights into the process of movie-making and viewing."--North Carolina Historical Review

"The essays are solid pieces that place the films in a proper historical and artistic context."--Journal of American History

“An engaging and timely update to previous critical anthologies.”—Journal of American Culture

“Rollins and O’Connor have skillfully blended a variety of thoughtful veiwpoints.”—Chronicles of Oklahoma

“A collection of quality essays, put together by two of the leading experts in this particular topic area.”—Communication Booknotes Quarterly

About the Author
Peter C. Rollins, Regents Professor of English at Oklahoma State University, is editor of the journal Film & History and of numerous books, including Television Histories and Hollywood as Historian.

John E. O'Connor, professor of history at the New Jersey Institute of Technology and Rutgers University, Newark, is the founding editor of Film & History.

Together they edited Hollywood's White House.

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1 of 1 people found the following review helpful.
The structure of the Hollywood Indian!
By PJ
This is my go to book when I write about the how Hollywood created and reframed the imagery of American Indians. It's sad and frustrating when you read this book, yet you are given in a cinematic chronology of how the "Hollywood Indian" was structured from not only the costumes, the skin color, but also the dialect, the sounds of drums to infuse "fear' to the structure of stereotypes: The Indian maiden, the wise elder, the blood thirsty savage, the drunken Indian and the ecological indian. And more importantly about Native American narratives, how the structure of narratives gives Indians a silent voices, or a violent voices. No agency. Only that of the white man helping the Indian, which we continue to see in modern cinema today.

0 of 0 people found the following review helpful.
Get it!
By kristi
This collection of essays is a great source for tracing the perception of the American Indian as presented by Hollywood.

0 of 1 people found the following review helpful.
No Page Numbers
By Hally Sablosky
I was really unhappy that the ebook didn't have page numbers. Not user friendly to operate, and a very poor textbook ebook when classes assign page numbers to read. I think the ebook could be improved by adding some sort of reference page number.

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