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Many critics agree that Joel and Ethan Coen are one of the most visionary and idiosyncratic filmmaking teams of the last three decades. Combining thoughtful eccentricity, wry humor, irony, and often brutal violence, the Coen brothers have crafted a style of filmmaking that pays tribute to classic American movie genres yet maintains a distinctly postmodern feel. Since arriving on the film scene, the Coens have amassed an impressive body of work that has garnered them critical acclaim and a devoted cult following. From Raising Arizona and Fargo to O Brother, Where Art Thou? and No Country for Old Men, the Coens have left an unmistakable imprint on Hollywood. The Philosophy of the Coen Brothers investigates philosophical themes in the works of these master filmmakers and also uses their movies as vehicles to explore fundamental concepts of philosophy. The contributing authors discuss concepts such as justice, the problem of interpretation, existential role-playing, the philosophy of comedy, the uncertainty principle, and the coldness of modernity. The Philosophy of the Coen Brothers is not just for die-hard Lebowski Fest attendees, but for anyone who enjoys big ideas on the big screen.
- Sales Rank: #551004 in Books
- Published on: 2012-03-07
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.12 pounds
- Binding: Paperback
- 332 pages
Review
"This volume is written for both fans of the Coen brothers and the philosophically curious, without the technical language. Both educational and entertaining, this philosophical compilation is recommended for public and academic libraries, particularly those with degree programs in philosophy and film."― Library Journal"―
About the Author
Mark T. Conard is assistant professor of philosophy at Marymount College. He is the series editor of The Philosophy of Popular Culture series and the editor of numerous books, including The Philosophy of Film Noir, The Philosophy of Neo-Noir, and The Philosophy of Martin Scorsese. He lives in New York, New York.
Most helpful customer reviews
24 of 26 people found the following review helpful.
Rebirth of Tragedy
By Review Guy
Friedrich Nietzsche believed for a time that the composer Richard Wagner would be able to unite all the noble impulses of art into an opera capable of sublimating European culture, just as classical tragedy ennobled the Athenians. Wagner failed, even in Nietzsche's judgement, but I am reminded of him every time I see a Coen Brothers film. Like Wagner, they have created a stage upon which the plastic/Apollonian (cinematography, lighting, set and costume) engages the musical/Dionysian (script, drama, soundtrack). But where Wagner failed, the Coens have succeeded. Their films together constitute the rebirth of tragedy here in modern America - a multimedia art of moral choice, with a philosophical vocabulary and contemporary significance. There's nothing deeper or more relevant on the American scene.
And I guess that accounts for just why this book so utterly blows the doors off any other "Philosophy of" book I've encountered. Like Woody Allen or Stanley Kubrick, the Coens produce film that is not merely philosophical, but is philosophy itself - the kind of art that drives fans to study philosophy in the first place.
But, in approaching the Coens, you do need some guidance. These are two guys who know the canon, cold, from Homer (O Brother Where Art Though) to Kant (See Walter in the Big Lebowski) to Heidegger (Barton Fink). At least part of the opacity of their films stems from the audiences unfamiliarity with these themes. And this is where this book comes in handy. This is a collection of truly thoughtful, high caliber works of scholarly criticism. It is so much better than similar titles like "The Simpsons and Philosophy" that I kinda wish it had a different title.
Oh well, bottom line: if you like either philosophy or the Coen Brothers, you'll LOVE this book. Expect to gain new insights on Barton Fink's wallpaper, the Dude's relationship with the old cowboy, and the nature of Anton Chigurgh. The authors are all philosophers, but they clearly love and understand film, and come at some of these problems from a film-studies perspective. I can only hope the same people involved in this will follow up with a "Philosophy of David Lynch."
6 of 7 people found the following review helpful.
Great Breakdown and analysis
By Eric Crimson
If you value and appreciate great film making and script writing this book breaks down the fundamentals of philosophy by the Coens through short essays.
4 of 5 people found the following review helpful.
An essential research tool for Cohen Brothers analysis
By B. Case
This is an essential book if you are doing college-level research and analysis concerning the Cohen Brothers’ films. Each essay is by a different Cohen scholar and each concerns a specific film. Some essays were better than others. One author was particularly irritating and difficult to understand, but for the most part, I thoroughly enjoyed all the essays in this resource and found them extremely useful while I was attending this course.
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