Free PDF Streaming: Movies, Media, and Instant Access, by Wheeler Winston Dixon
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Film stocks are vanishing, but the iconic images of the silver screen remain―albeit in new, sleeker formats. Today, viewers can instantly stream movies on televisions, computers, and smartphones. Gone are the days when films could only be seen in theaters or rented at video stores: movies are now accessible at the click of a button, and there are no reels, tapes, or discs to store. Any film or show worth keeping may be collected in the virtual cloud and accessed at will through services like Netflix, Hulu, and Amazon Instant.
The movies have changed, and we are changing with them. The ways we communicate, receive information, travel, and socialize have all been revolutionized. In Streaming, Wheeler Winston Dixon reveals the positive and negative consequences of the transition to digital formatting and distribution, exploring the ways in which digital cinema has altered contemporary filmmaking and our culture. Many industry professionals and audience members feel that the new format fundamentally alters the art, while others laud the liberation of the moving image from the "imperfect" medium of film, asserting that it is both inevitable and desirable. Dixon argues that the change is neither good nor bad; it's simply a fact.
Hollywood has embraced digital production and distribution because it is easier, faster, and cheaper, but the displacement of older technology will not come without controversy. This groundbreaking book illuminates the challenges of preserving media in the digital age and explores what stands to be lost, from the rich hues of traditional film stocks to the classic movies that are not profitable enough to offer in streaming formats. Dixon also investigates the financial challenges of the new distribution model, the incorporation of new content such as webisodes, and the issue of ownership in an age when companies have the power to pull purchased items from consumer devices at their own discretion.
Streaming touches on every aspect of the shift to digital production and distribution. It explains not only how the new technology is affecting movies, music, books, and games, but also how instant access is permanently changing the habits of viewers and influencing our culture.
- Sales Rank: #676678 in Books
- Published on: 2013-04-11
- Original language: English
- Number of items: 1
- Dimensions: 8.97" h x .54" w x 6.07" l, .62 pounds
- Binding: Paperback
- 184 pages
Review
"Dixon introduces us to the idea that streaming is becoming the standard in all areas of entertainment and media access. Dixon illustrates thedecline of film into digital, having filmmakers say goodbye to 16mm and35mm film, and audiences saying goodbye to multiplexes and physicalownership of intellectual property.
With the growing reality of theinternet, consumers are beginning to choose the convenience of stayinghome over going out when it comes to purchasing entertainment. This hasled to the decline of movie rental houses, bookstores, film theaters,etc. as consumers choose the convenience of the internet to deliver allforms of their media entertainment intake.
Dixon illustrates the takeover by the internet over film/televisionas synonymous to the takeover of movie-theater going by the invention of the television. But with streaming on the rise, the ownersof film theaters, and now television networks, are again beingthreatened by a new form of media exhibition. And it might not getresolved in such a contented way as it did with the introduction of theTV." - Carolyn Hauk, Film and Digital Media
"Streaming is a very interesting book that touches upon every aspect of the shift to digital production. The substantive content is both engaging and interesting, without being too technical or complex. At less than 200 pages, readers will gain from the book a better understanding of the transition to digital formatting and explore what stands to be lost with the emergence of streaming." - Mayra Neimerck, Journal of High Technology Law
"Dixon has written a lively, opinionated, and detailed up-to-the-minute dispatch on the current state of the moving-image media as they experience a period of rapid transition marked by instability and uncertainty regarding the future of viewing and exhibition practices. It is a timely and urgent contribution to current scholarship in the constantly evolving discipline of media studies."―David Sterritt, author of Screening the Beats: Media Culture and the Beat Sensibility
"Dixon's book offers a cogent overview of the history of digital film production and its impact on traditional filmmaking. His work is more than just a historical map of the development of digitized filmmaking, but also a sociocultural and psychological study of how digitally formed film will (and does) impact viewers. Streaming will make a significant contribution to the field, as no scholar has yet looked at digital cinema and its impact on the sociocultural experience of viewing film."―Valerie Orlando, author of Screening Morocco: Contemporary Film in a Changing Society
"In this expansive, elegantly written, and engaging study, Wheeler Winston Dixon aims nothing less than to rethink the future of cinema in a digital age. Exploring the ways in which the Hollywood model of embracing digital production is spreading throughout the world, Streaming: Movies, Media, and Instant Access complicates, illuminates, and extends our understanding of our current media landscape."―Patrice Petro, The University of Wisconsin-Milwaukee
"Wheeler Winston Dixon has written a lively, detailed, up-to-the-minute dispatch on the moving-image media during their current period of rapid transition and transformation. The volatility of present-day media technology makes the book's comprehensive scope, authoritative tone, scrupulous balance, and eye-opening revelations all the more welcome and impressive. Dixon's experiences as a practicing filmmaker as well as a media theorist and historian add further to his credentials as an expert on this multifaceted field, and his writing is consistently bright and engaging, making this an excellent book for general readers as well as a valuable resource for classroom use and scholarly reference. Streaming is a timely and in some ways urgent contribution to the constantly evolving discipline of media studies." ― David Sterritt, Columbia University, Chair, National Society of Film Critics"
"Dixon, a professor of film studies and English at the University of Nebraska, Lincoln, has a long history of compelling publications about film. His books include A History of Horror (2010), Visions of the Apocalpyse: Spectables of Destruction in American Cinema (2003), Disaster and Memory: Celebrity Culture and the Crisis of Hollywood Cinema (2009), Death of the Moguls: The End of Classical Hollywood (2012), and Film: Talk Directors at Work (2007). He is also coeditor in chief of the Quarterly Review of Film and Video."―Moving Image Archive News
"This is a very interesting book...It's not technical, and very easy to read. It's also very much worth checking out."―Midwest Book Review
About the Author
Wheeler Winston Dixon is the James Ryan Professor of Film Studies, Coordinator of the Film Studies Program, Professor of English at the University of Nebraska, Lincoln, and, with Gwendolyn Audrey Foster, editor of the new book series Quick Takes: Movies and Popular Culture for Rutgers University Press.
His recent books include Black & White Cinema: A Short History (2015); Streaming: Movies, Media and Instant Access (2013); Death of the Moguls: The End of Classical Hollywood (2012); 21st Century Hollywood: Movies in the Era of Transformation (2011, co-authored with Gwendolyn Audrey Foster); A History of Horror (2010); and Film Noir and the Cinema of Paranoia (2009).
Dixon's book A Short History of Film (2008, co-authored with Gwendolyn Audrey Foster) was reprinted six times through 2012. A second, revised edition was published in 2013; the book is a required text in universities throughout the world.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Extremely perceptive
By Dennis Coleman
This book about our plugged-in society and where we're headed is extremely perceptive and well-written. Dixon paints a picture of our future world that is rather frightening but almost certainly accurate.
0 of 0 people found the following review helpful.
I learned a lot from it
By Paul Lappen
Like it or not, the streaming of movies and music is becoming an increasingly large portion of all internet traffic. This book gives the details.
Why shouldn't a person be able to pay a few dollars to stream a movie at home, when going to the theater or buying the DVD costs a lot more? At the theater, does the projectionist load a film canister on a 35mm projector and turn it on? Increasingly, the answer is no. The majority of theaters have gone to all-digital systems. The movie is downloaded from the distributor, along with an electronic code. That code can be good for just one showing, on one specific day. If the right code is not available, or if it does not work properly, then there is no showing.
Fewer and fewer movies are being shot on actual film, because fewer and fewer theaters have film projectors. Unless there is an art house cinema nearby, any watching of older, or less well known, films, on actual film, is pretty much impossible. When is the last time that an older or obscure film was available at the local multi-theater megaplex? If whoever has a film copy of that older, obscure film, does not think it is lucrative enough to put it on DVD, there is little that can be done about it. Soon, the only way to watch films of any kind, will be through on-line streaming. Depending on your point of view, this is either that natural progression of technology, or it's the end of the world.
What Netflix is doing to the movie business, Apple is doing to the music business, and Amazon is doing to book publishing. Amazon is now selling more Kindle copies of books than paper copies. Facebook is little more than a way to suck up people's personal information, and sell it to advertisers (Google Glass, plus new facial recognition technology, will make that much easier). Facebook has created over 80 million fake accounts. The hope is that the author, for instance, will see their account already set up, and decide to use it. For that reason, the author says that he will never post on Facebook.
This is a very interesting book. For some, it may be common knowledge, but I learned a lot from it. It's non-technical, and very easy to read. It's also very much worth checking out.
0 of 0 people found the following review helpful.
Fantastic historical perspective of streaming media - provides a rich context for future opportunities
By Gerry Marrs
Streaming movies now seems to be the conventional way this generation watches entertainment. Where will we be 5, 10 or even 20 years from now? Wheeler Winston Dixon paints us a picture of the future by reminding us of an evolution of mainstream entertainment and how we can now access classic films just at the touch of a button. Watching entertainment has never been easier if one has access to the Internet; however, while this may seem all good, this book provides a reminder that too much stimuli leads to lack of focus and as such, one might fall victim to becoming lost in an endless stream of media without end. This book does a fantastic job of capturing this point, delivering us the historical approach to streaming media and provides a basic framework for further ideas regarding the future of streaming entertainment. I recommend this book for anyone interested in film, cinematic history and media!
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