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Noted for his charisma, talent, and striking good looks, director Rex Ingram (18931950) is ranked alongside D. W. Griffith, Marshall Neilan, and Erich von Stroheim as one of the greatest artists of the silent cinema. Ingram briefly studied sculpture at the Yale University School of Art after emigrating from Ireland to the United States in 1911; but he was soon seduced by the new medium of moving pictures and abandoned his studies for a series of jobs in the film industry. Over the next decade, he became one of the most popular directors in Hollywood, directing smash hits such as The Four Horsemen of the Apocalypse (1921), The Prisoner of Zenda (1922), and Scaramouche (1923).
In Rex Ingram, Ruth Barton explores the life and legacy of the pioneering filmmaker, following him from his childhood in Dublin to his life at the top of early Hollywood's A-list and his eventual self-imposed exile on the French Riviera. Ingram excelled in bringing visions of adventure and fantasy to eager audiences, and his films made stars of actors like Rudolph Valentino, Ramón Novarro, and Alice Terry―his second wife and leading lady. With his name a virtual guarantee of box office success, Ingram's career flourished in the 1920s despite the constraints of an increasingly regulated industry and the hostility of Louis B. Mayer, who regarded him as a dangerous maverick.
Barton examines the virtuoso director's career and controversial personal life―including his conversion to Islam, the rumors surrounding his ambiguous sexuality, and the circumstances of his untimely death. This definitive biography not only restores the visionary filmmaker to the spotlight but also provides an absorbing look at the daring and exhilarating days of silent-era Hollywood.
- Sales Rank: #385305 in Books
- Published on: 2014-10-13
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 6.50" w x 1.00" l, .0 pounds
- Binding: Hardcover
- 328 pages
Review
"Barton provides new insights into Ingram's talent and his artistic shortcomings, his drive and his ambivalence, offering astute discussions of his important films and their critical reception. At the end, Ingram remains a fascinating figure because Barton does not try and resolve all of the director's paradoxes. Instead, she lets Ingram's life and work stand for themselves. Rex Ingram is a very significant work that keeps Ingram's legacy alive and provides inspiration for new scholars of his work."―Thomas J. Slater, Professor of English (Film Studies), Indiana University of Pennsylvania
"Ruth Barton's talents as a film historian, celebrity biographer and Irish Studies scholar are wonderfully displayed in this illuminating, engaging study of one of the silent era's great practitioners."―Diane Negra, Professor of Film Studies and Screen Culture/Head of Film Studies, University College Dublin
"Barton has done a commendable job in unearthing information about one of Ireland's lesser-known Hollywood greats."―The Sunday Times
"Ruth Barton introduces us to the work of one of Hollywood's greatest silent era directors, the Irish exile, Rex Ingram, and ponders why he was so forgotten."―Film Ireland
"Ruth Barton's welcome, expertly narrated biography lifts the veil on large portions of Ingram's life. . . . There is so much in [this] book that is fascinating."―Scott Eyman, Wall Street Journal
"[An] exquisitely illustrated study of one the great visual film artists of the early 20th century..."―CHOICE
"Barton's book details each of [his] productions with fine attention to both critical analysis and factual detail, building a thorough portrait of Ingram's body of work in context."―Dublin Review of Books
"But Ruth Barton's Rex Ingram: Visionary Director of the Silent Screen is more level-headed than a Hollywood biopic. This is a scrupulous book: passionate about the work, dismissive of speculation."―Sight & Sound
From the Inside Flap
Noted for his charisma, talent, and striking good looks, director Rex Ingram (1893 1950) is ranked alongside D. W. Griffith, Marshall Neilan, and Erich von Stroheim as one of the greatest artists of the silent cinema. After emigrating from Ireland to the United States in 1911, Ingram briefly studied sculpture at the Yale School of the Fine Arts, but he soon became fascinated by the new medium of moving pictures and abandoned his studies for a series of jobs in the nascent film industry. Over the next decade, he became one of the most popular directors in Hollywood, directing smash hits such as The Four Horsemen of the Apocalypse (1921), The Prisoner of Zenda (1922), and Scaramouche (1923). Enthralled by the artistic potential of motion pictures, Ingram excelled in bringing visions of adventure and fantasy to eager audiences, and his films made stars of actors like Rudolph Valentino, Ramon Novarro, and Alice Terry -- his second wife and leading lady. With his name a virtual guarantee of box office success, Ingram's career flourished in the 1920s despite the constraints of an increasingly regulated industry and the hostility of Louis B. Mayer, who regarded the director as a dangerous maverick. Determined to continue producing his lavish visual fantasies, Ingram persuaded MGM to fund his move from Hollywood to a small studio on the French Riviera. There, his circle of friends included glamorous American expatriates of the day -- notably, F. Scott Fitzgerald and Isadora Duncan -- as well as artist Henri Matisse and writer George Bernard Shaw. Rex Ingram follows the virtuoso director beyond his career in film to examine his controversial personal life -- including his conversion to Islam, the rumors surrounding his ambiguous sexuality, and the circumstances of his untimely death. Ruth Barton's intriguing biography not only restores a visionary filmmaker to the spotlight but also provides an absorbing look at the daring and exhilarating days of early Hollywood.
" About the Author
Ruth Barton is lecturer in film studies at Trinity College Dublin. She is the author of Hedy Lamarr and has written several books on Irish cinema, including Irish National Cinema and Acting Irish in Hollywood.
Most helpful customer reviews
3 of 3 people found the following review helpful.
He discovered Rudolph Valentino
By Brad Baker
This biography by Irish scholar Ruth Barton contains silent film director Rex Ingram's personal life manuscript(never seen in public before). Rex Ingram was a stuborn man. He refused to bend; he lived life his way, and probably did everything he ever wanted to do. Rex Ingram was a handsome, cocky Irishman. He liked to paint. He liked art.. He created some of the earliest, artistic silent films ever made. Rex Ingram was born Reginald Hitchcock in 1892 in Dublin. His father pushed him into business, but Rex wanted to be an artist. Eventually, Rex migrated to New York City. On Long Island, Rex met the son of Thomas Edison. Edison was famous for claiming that he invented motion picture projection. Rex was interested, and became a minor actor in early silent movies. He studied film, but wanted to write screenplays. He did, even working with D.W. Griffith. Finally, Rex heard the call "Go West young man", and moved to Hollywood, California. As a director/writer, Rex bounced from Vitagraph, Fox Films, Universal, and finally landed at MGM. In 1920, he reported to executive June Mathis. Together, they hired young Italian immigrant dancer Rudolph Valentino to star in "Four Horsemen of the Apocalypse(1921)". (The DVD of this classic has been restored by Kevin Brownlow, the only Rex Ingram film to enjoy such attention.) "Four Horsemen" was a huge success. Rex believed that he and his team, including cameraman John Seitz(who invented the matte painting) were responsible. Valentino was sure he was the core of it's success, and after one more film, Valentino bolted to Paramount. Rex Ingram needed a new leading man, and took a chance on a young, aggressive Mexican boy, who would become Ramon Novorro(the star of "Ben Hur"). Rex put Novarro into his "Prisoner of Zenda(1922)", another big hit. Re-made many times, "Prisoner of Zenda" shows Novarro at his best; and Rex and John Seitz as well. It features careful lighting, well-placed props, and a novel 3-D effect. In one shot, two soldiers drink and play cards. Behind them, to the right, a military statue stands out, in focus. Still farther back in the room, and to the left, a young man plays piano. It is Ramon Novarro. Almost a painting, the effect is multi-dimensional. It was a success, and Rex followed with "Trifiling Women(1922)", starring Novarro and the dark beauty, Barbara LaMarr. "Trifiling Women" is the story of star-crossed lovers; one is buried alive in an underground dungeon. A pet ape(Joe Martin) flirts with the girl on shadowy, back-lit sets. We can only guess at it's power, since "Trifiling Women" is a lost film. Rex wanted independence, and opened his own studio in Nice, France, on the Riviera. In 1926, he shot "The Magician", starring the "Golem" himself, Paul Wegener. Starting slowly, the movie builds to a rousing climax, with flashing lightning surrounding an old castle; inside the magician battles the young hero. Earlier, the young heroine is transported to an underworld dream-land, complete with Pan, the Devil, and a host of partially dressed dancers. "The Magician" was successful, but Louis B. Mayer ended Rex's career at MGM. Freaky horror didn't appeal to Mayer, and Rex was way ahead of his time. Rex Ingram made a few more films, some even with sound. But he converted to Islam and the Koran. He spent years travelling across the wind-swept North African desert, often alone. Suffering from high blood pressure, Rex Ingram died of a cerebral hemorrhage at his home in Studio City, North Hollywood, on July 2, 1950, at age 58. His wife, actress Alice Terry, inherited his estate of $200,000, including rare art works, old swords, and ancient guns. Rex Ingram was a true visionary of early cinema. Erich von Stroheim called him the "world's greatest director..."
0 of 1 people found the following review helpful.
Five Stars
By James S. Koford
Incredible story about a little-known film genius.....
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