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Lord of the Rings: The Mythology of Power, by Jane Chance
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" With New Line Cinema's production of The Lord of the Rings film trilogy, the popularity of the works of J.R.R. Tolkien is unparalleled. Tolkien's books continue to be bestsellers decades after their original publication. An epic in league with those of Spenser and Malory, The Lord of the Rings trilogy, begun during Hitler's rise to power, celebrates the insignificant individual as hero in the modern world. Jane Chance's critical appraisal of Tolkien's heroic masterwork is the first to explore its "mythology of power"–that is, how power, politics, and language interact. Chance looks beyond the fantastic, self-contained world of Middle-earth to the twentieth-century parallels presented in the trilogy.
- Sales Rank: #1306111 in Books
- Color: Blue
- Brand: Brand: The University Press of Kentucky
- Published on: 2001-10-26
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .42" w x 5.51" l, .57 pounds
- Binding: Paperback
- 184 pages
- Used Book in Good Condition
Review
"An interesting examination of themes like the value of language and the corrupting effects of a will to power."―(Oshawa, Ont.) Artsforum
"Chance's companion volumes on Tolkien are brilliantly written and critically significant. Her understanding of his works is profound, and she convincingly confirms him as a major writer of the 20th century."―Kritikon Litterarum
"Both provocative and stimulating . . . provides a rewarding exploration of that web of relationships which defines Middle-earth."―Robert A. Collins, Florida Atlantic University
"The author has taken a complex and convoluted masterpiece and dissected it in a clear and concise style. Fans of Tolkien's classic will welcome it."―School Library Journal
"Presents a strong case for Tolkien as a mainstream contemporary writer."―Seven
From the Publisher
“The author has taken a complex and convoluted masterpiece and dissected it in a clear and concise style. Fans of Tolkien’s classic will welcome it.” —School Library Journal
About the Author
Jane Chance is a professor of English at Rice University. She lives in Houston, Texas.
Most helpful customer reviews
16 of 19 people found the following review helpful.
Power has many facets
By ghostcat
Jane Chance's discussion includes some valuable insights and a useful review of research, however it suffers from three main problems:
a. The discussion of power is one-sided and focuses too much on the power of language, while neglecting issues such as the power of vision and the gaze, which are just as prominent. This makes the application of Foucault's theories - a good idea in itself -superficial (The author refers to one book of his out of a vast corpus).
b. Any discussion of the structure of The Lord of the Rings cannot disregard the vast work that Christopher Tolkein has done on the various layers and stages of the volumes of the book.
c. Chance's book is marred by many errors: for example, how can Germany have blockaded England in 1946, a year after the end of the war? In this context, the author should have mentioned Tolkein's own discussion of the relationship between his work and the Second World War.
0 of 0 people found the following review helpful.
Take a Chance on this.
By Emily King
The power of mythology is simply amazing.
Jane Chance is a leader in Tolkien culture and her theories are so interesting. Very useful for research.
26 of 28 people found the following review helpful.
The Mythology of Power
By A Customer
Not really much insight here. Noteworthy and interesting points are scattered throughout, however they are certainly not helped by the general skimpiness of developed argument or sustained elaboration for a convincing case. All in all, the ideas are never explored to their fullest extent, and the general tone is that of a graduate student's thesis. In part this may be due to the decision to retrace the entire plot-line, rather than to develop particular themes in depth. Also, the academic liberal arts jargon is just bad.
Prof. Chance approaches LOTR and its mythology of power by way of a purely political hermeneutics, applying the theories of (mostly) Foucault to mythopoetic material that rises beyond explanation via mere politics. This Foucault influence is central, but at no point is it seriously questioned or demonstrated how it is even relevant or useful to the topic at hand - rather than, say, the concepts Tolkien drank in from epic poetry, fairy stories, world mythology, the Bible, or a thousand different philosophers (for example, how is Foucault more revealing here than Augustine, or Hobbes, or Rousseau?).
Somehow, it all fails to grasp the very personal, psychological, and metaphysical aspects of Tolkien's masterpiece, which speaks to us not primarily through the rationalism of politics but via the art of wonder: the magic of the journey, the crucible of morality and fellowship, innocence and experience, and the passages of life in relation to its underpinning wholeness.
It's disappointing and at times hilarious, though, when Prof. Chance sees LOTR as rather more concerned with "the political problem of the intellectual (22)" and "liberation from hegemony... A novel that mythologizes power and the problem of individual difference... the problem of individual and class difference within the social body or construct, the heroic power of knowledge and language in the political power struggle, and the ideal of kingship as healing and service, in a unique inversion of master-servant roles (23)". One gets the sense that it all boils down to "the role of understanding and tolerating differences within the community (24)", to "giving voice to the dispossessed of the twentieth century (25)". But interpreted this way, squintingly, the tale only seems to diminish into triviality. It becomes merely "a drama of the symbolic value of language (45)", wherein the Ring is a "challenge to [Frodo's] civic and political education (48)", and where "name-calling and hostile language...wound more than the...voice of an enemy like the Black Riders or Sauron (58)".
Admittedly, such platitudes are more than the pure baloney evoked here, and may well contain very important ideas, but they are, in the end, only tangents to the tale that Tolkien set down.
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