Free Ebook Buzz: The Life and Art of Busby Berkeley (Screen Classics), by Jeffrey Spivak
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Buzz: The Life and Art of Busby Berkeley (Screen Classics), by Jeffrey Spivak
Free Ebook Buzz: The Life and Art of Busby Berkeley (Screen Classics), by Jeffrey Spivak
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Characterized by grandiose song-and-dance numbers featuring ornate geometric patterns and mimicked in many modern films, Busby Berkeley's unique artistry is as recognizable and striking as ever. From his years on Broadway to the director's chair, Berkeley is notorious for his inventiveness and signature style. Through sensational films like 42nd Street (1933), Gold Diggers of 1933 (1933), Footlight Parade (1933), and Dames (1934), Berkeley sought to distract audiences from the troubles of the Great Depression. Although his bold technique is familiar to millions of moviegoers, Berkeley's life remains a mystery.
Buzz: The Life and Art of Busby Berkeley is a telling portrait of the filmmaker who revolutionized the musical and changed the world of choreography. Berkeley pioneered many conventions still in use today, including the famous "parade of faces" technique, which lends an identity to each anonymous performer in a close-up. Carefully arranging dancers in complex and beautiful formations, Berkeley captured perspectives never seen before.
Jeffrey Spivak's meticulous research magnifies the career and personal life of this beloved filmmaker. Employing personal letters, interviews, studio memoranda, and Berkeley's private memoirs, Spivak unveils the colorful life of one of cinema's greatest artists.
- Sales Rank: #251045 in Books
- Brand: Brand: The University Press of Kentucky
- Published on: 2010-12-01
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .94" w x 6.14" l, 1.80 pounds
- Binding: Hardcover
- 408 pages
- Used Book in Good Condition
From Library Journal
"In this thoroughly researched book...Spivak shows a keen understanding of Berkeley's talents but does not ignore his flaws...recommended for knowledgeable movie buffs."
--Stephen Rees, Library Journal
From Booklist
Spivak’s well-written biography of the Hollywood choreographer and director, famous for the complicated, kaleidoscopic dances he choreographed for such films as 42nd Street and Gold Diggers of 1933, has scholarly depth yet is gracefully accessible. Spivak’s writing is especially strong when he discusses Berkeley’s trademark style—playful, visually arresting dances, packed with large numbers of chorus girls dancing in lockstep—and his myriad artistic influences, which include his mother, who was in the theater and silent movies; and a stint in the military, where he drilled soldiers to march in formation. In his prime, Berkeley worked extremely long hours like a man possessed, driving himself and his dancers to the brink of collapse and, in Berkeley’s case, beyond, into an alcoholism that eventually all but destroyed his career. Cineastes will enjoy Spivak’s close attention to Berkeley’s obsessively detailed planning and execution processes, and Spivak’s no-less-detailed descriptions of the final films. And for those who like movie gossip, there’s Berkeley’s wild, dysfunctional private life (which included parties, love affairs, and multiple marriages, all fueled by too much alcohol). --Jack Helbig
Review
"A gifted storyteller and historian, Jeffrey Spivak paints a finely detailed portrait of dance director Busby Berkeley and his doting actress mother Gertrude. It is a lullaby of Broadway and Hollywood as improbable as any of Berkeley's fantastical musical numbers."--Miles Kreuger, President, The Institute of the American Musical, Inc.
"One of the Best Film Books for 2010" Thomas Gladysz --The Huffington Post
"This is an excellent book. The research is meticulous, the narrative crisp, and the evaluation of Berkeley's life and work informative. Buzz fills a major gap in the history of both cinema and musical theater and is must reading, especially for those interested in either."--King Features Syndicate
"[Having] rescued [Berkeley's own memoirs] from a garbage clearance... Spivak recounts [Berkeley's] tales of relentless retakes, schedule-skimming night shoots, and crack-ups, whether emotional... or spinal."--Sight & Sound
“Spivak has the biographer’s sine qua non: a sense of his subject’s uniqueness on this Earth.” —Page Laws, dean of the Honors College, Norfolk State University
"Spivak . . . did an enormous amount of research for this biography. He even viewed the least notable of Berkeley's films and tracked unfinished projects." -- Choice
"Spivak's text is undoubtedly praiseworthy for utilizing resources...to produce this substantial work."--Cambridge Journals
"[Spivak] writes the direct and concise . . . prose that makes for easy reading."--Quarterly Review of Film and Video
"[Buzz: The Life and Art of Busby Berkeley is] the first attempt at a full-blown biography of the innovative choreographer and director whose kaleidoscopic musical numbers of the 1930s have never been equaled. Spivak has done his homework in terms of interviews and archival research--including a discovery of Berkeley's unpublished memoir."--Leonard Maltin's Movie Crazy --
"Book of the Month, December 2010" --Turner Classic Movies
"Book of the Month, April 2011" -- Sight & Sound
"Berkeley was a choreographer extraordinaire. Who else could handle 150 dancers in one number? I can't think of anyone, and Berkeley was doing this in the 1920s and 1930s." --California Chronicle
"One could be excused for thinking that a book titled Buzz might be about Internet-based P.R. strategies for individuals or businesses, but it's actually a biography -- the only one out there -- of Busby Berkeley, the choreo-philosopher and one of the cinema's most original and distinctive creators." --New Yorker
"[Berkeley] was destined for a life in show business. And that life,... was as full of dazzling highs and lurid lows as any melodrama could be." --Barnes and Noble Review
"Spivak describes the entrepreneur's extraordinary career and catalogs his over-the-top life and similarly baroque song-and-dance numbers which featured ornate geometric patterns and influenced much that came after." --Moving Picture Archives News
"People today may remember Berkeley as the visionary behind those human geometric designs that beguiled Hollywood audiences during the 1930s and 40s, but Jeffrey Spivak's new biography Buzz: The Life and Art of Busby Berkeley paints a deeper portrait of a true artistic innovator and an often troubled human being." --Chicago Stage Style
"Buzz: The Life and Art of Busby Berkeley is a pick for film and biography holdings alike, covering the career and personal life of film director and choreography Busby Berkeley, whose films changed the nature of the musical film itself and saved Warner Bros. studio. Berkeley's own unpublished memoirs, personal letters, legal documents, and more [complimentary] interviews with those who worked with him for a wide-ranging survey to any serious film or biography library." --The Midwest Book Review
"[A] fascinating read." --Playbill
"Busby Berkeley's name conjures up kaleidoscopic images of women's body parts: crane shots of synchronized movement, collaged into design and pattern by distance and directorial oversight. Jeffrey Spivak aims to promote Berkeley... to the role of directorial creativity and originality." --Times Literary Supplement
"Jeffrey Spivak offers a detailed look into the life and career of one of American cinema's most influential dance directors" --Theater Mania
"Spivak's biography perfectly captures Buzz's spirit as well as the legend, all rolled into one. Spivak covers the man from his humble beginnings, cowering under his brother's wardrobe as he first makes an "appearance" on stage, through to his Broadway successes and failures, and on to the peaks and nadirs he experienced in Hollywood. An even-handed tribute all around." -- Broadway World
"At the time, movie musicals were stale and outdated, but with a touch of the Buzz magic, they came alive. Most credit Berkeley with saving and then recreating a whole new genre of the movie musical. If you are a lover of musicals, this is the book for you."--Chew & Digest Books --
"Looking for a gift for a movie lover? Consider Jeffrey Spivak's new book, "Buzz: The Life and Art of Busby Berkeley"." --New York Post
Most helpful customer reviews
18 of 19 people found the following review helpful.
Busby Berkeley Biography
By G. Wright
This is a newly published book on the life and art of Busby Berkeley. Berkeley was a pioneer in the early days of American cinema and although as a director he lacked the all round character of a man like Orson Welles he easily made up for this with his ability to entertain people. The book starts out by examining Berkeley's family ancestry and takes you through his early days as a struggling stage director in New York followed by his first film roles, his car accident and subsequent trial and finishes with his demise in 1976. Some of the information contained in this book was previously examined in a TV documentary shown in 1998 called "Busby Berkeley going through the roof", but where this book expands is by gaining access to his unpublished autobiography which fills in lots of spaces and ads a lot more detail, invaluable information you would never have known had the book not been published.
This isn't a glossy film book loaded with images it's a flat out biography and if you're a fan of his work then you should find it interesting. In the early days of cinema when most of his contemporaries where busy ripping of early German and Russian filmmaking techniques Berkeley pioneered whole new styles and never got the credit he deserved.
11 of 11 people found the following review helpful.
A long overdue study of a mad genius
By Larry Billman
Prior to the publication of Mr. Spivak's book, Busby Berkeley's genius was primarily saluted in books with glorious visuals ("The Busby Berkeley Book" by Tony Thomas and Jim Terry) or provocative analysis ("Showstoppers: Busby Berkeley and the Tradition of Spectacle" by Martin Rubin.) Author Spivak dives into the "why" and "how" of Berkeley's visions with a detailed examination of their creation and impact. Along the way, he tries his very best to find the man in the middle. The details he has researched and shared are exemplary and, without moral judgement, presents them for the reader to process. Some of the theories which have been examined by previous writers, film historians and "talking heads" in the excellent 1997 TCM Documentary "Busby Berkeley - Going Through the Roof" and the many "extras" on the two Warners Home Video "Busby Berkeley" DVD collections get a new twist, such as: When did a Kaleidoscope influence his vision? Who came first - Leni Riefenstahl and her Nazi Germany visions or Busby Berkeley and his patriotic American military drills? Were his sexually provocative formations meant to "push the bounds" of censorship? Unlike Fred Astaire and Gene Kelly, Buzz was not interested or knowledgable in dance. His angles and editing were the prototype and inspiration of how movement would be filmed in music videos and today's dance films. The film itself "dances." Mr. Spivak lets us simply admire - and be dumbfounded by - Busby Berkeley's one-of-a-kind vision which still astounds us today.
8 of 8 people found the following review helpful.
A Revelatory Bio Which Admirably Covers Its Subject
By G.I Gurdjieff
Dedicated to the life and art of Busby Berkeley (aka Buzz) this book is a rare hybrid which almost approaches the scholarly in respect to the visionary film making/choreography of Buzz while never being boring. It also delves into Berkeley's private life which was plagued with personal demons and featured many marriages, love affairs, public breakdowns, and headline making scandal.
The darling of the 1930's era Hollywood musical, Buzz revolutionized the genre during his tenure at Warner Brothers Studio with advanced camera angles and precision choreography that even today defies simplified explanations. He continued his career into the 1940's and beyond at MGM in (at times) an increasingly less significant role as his problems made him less employable. Author Jeffrey Spivak demonstrates his understanding of Berkeley's methodology and takes his reader on a tour of some of the most memorably visual scenes in films of the era.
While clearly enamored with Buzz' talent and ingenuity, Spivak also demonstrates his ability to view his subject in critical terms regarding his failures and shortcomings and makes no attempts to whitewash this story. This bio/film study results in some very interesting reading that is not short on personal information and thorough analysis and presents a detailed picture of a tortured genius who was often out of control and invariably destructive to the point of being his own worst enemy.
Aside from being immediately engaging and a pleasure to read, this book was really a long overdue look at the life and career of Berkeley. On a personal level, it expanded my rudimentary knowledge of Berkeley and explained the basis for various stories I had read about him. It also enhanced my admiration and appreciation of his work which might be overlooked in a time of massive special effects.
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